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Our team
Caroline Kamana is a heritage and humanities education specialist with multiple years’ experience of teaching and curriculum innovation across all key stages and within education consultancies and heritage centres in South Africa and the UK. A facilitator of community engagement through collections, Caroline is also experienced in exhibition development and curation, including ‘Anti-Apartheid in Britain’ within Nelson Mandela: The Official Exhibition, 2019.
A former Secondary Head of Religious Education and Philosophy, Caroline holds a PGCE in secondary education (University of Roehampton, UK), MA in Theology (Oxon) and a Masters in History of Art (University of the Witwatersrand, South Africa) where she specialised in museum education, decolonial praxis, exhibition curation and community cohesion through archival engagement. Her MA research included the development of a bespoke interactive walking tour app that fused archival materials, oral histories and creative response to surface under-known heritage and promote community pride.
Caroline brings experience in engaging intergenerational communities, building trusted stakeholder relationships and managing complex projects (with former roles at St. Paul’s Cathedral and Condé Nast). For Anti-Apartheid Legacy, Caroline is responsible for the shaping and delivery of the Anti-Apartheid Legacy: Centre of Memory and Learning. This includes partnerships, programming, heritage management, audience development and community engagement, strategy, policy development, fundraising, marketing, education and outreach.
A former Secondary Head of Religious Education and Philosophy, Caroline holds a PGCE in secondary education (University of Roehampton, UK), MA in Theology (Oxon) and a Masters in History of Art (University of the Witwatersrand, South Africa) where she specialised in museum education, decolonial praxis, exhibition curation and community cohesion through archival engagement. Her MA research included the development of a bespoke interactive walking tour app that fused archival materials, oral histories and creative response to surface under-known heritage and promote community pride.
Caroline brings experience in engaging intergenerational communities, building trusted stakeholder relationships and managing complex projects (with former roles at St. Paul’s Cathedral and Condé Nast). For Anti-Apartheid Legacy, Caroline is responsible for the shaping and delivery of the Anti-Apartheid Legacy: Centre of Memory and Learning. This includes partnerships, programming, heritage management, audience development and community engagement, strategy, policy development, fundraising, marketing, education and outreach.
Our team
The Anti-Apartheid Legacy Centre is currently delivered by a small core team, with staffing set to grow as we move towards opening the Centre in 2026. Our public, schools, tertiary and community programme is developed and delivered through a collaborative model, drawing on the expertise of community members (including those with lived experience of the anti-apartheid struggle) and a trusted network of associates — including artist facilitators and specialist contributors such as authors, historians, heritage practitioners and activists — supported by our Director.
Our collections and archive development is undertaken in close partnership with established specialist organisations, including the Anti-Apartheid Movement Archives, ensuring robust stewardship and public access are embedded from the outset.
For any enquiries or questions, please contact our team at info@antiapartheidlegacy.org.uk.
Caroline Kamana is a heritage and humanities education specialist with multiple years’ experience of teaching and curriculum innovation across all key stages and within education consultancies and heritage centres in South Africa and the UK. A facilitator of community engagement through collections, Caroline is also experienced in exhibition development and curation, including ‘Anti-Apartheid in Britain’ within Nelson Mandela: The Official Exhibition, 2019.
A former Secondary Head of Religious Education and Philosophy, Caroline holds a PGCE in secondary education (University of Roehampton, UK), MA in Theology (Oxon) and a Masters in History of Art (University of the Witwatersrand, South Africa) where she specialised in museum education, decolonial praxis, exhibition curation and community cohesion through archival engagement. Her MA research included the development of a bespoke interactive walking tour app that fused archival materials, oral histories and creative response to surface under-known heritage and promote community pride.
Caroline brings experience in engaging intergenerational communities, building trusted stakeholder relationships and managing complex projects (with former roles at St. Paul’s Cathedral and Condé Nast). For Anti-Apartheid Legacy, Caroline is responsible for the shaping and delivery of the Anti-Apartheid Legacy: Centre of Memory and Learning. This includes partnerships, programming, heritage management, audience development and community engagement, strategy, policy development, fundraising, marketing, education and outreach.
A former Secondary Head of Religious Education and Philosophy, Caroline holds a PGCE in secondary education (University of Roehampton, UK), MA in Theology (Oxon) and a Masters in History of Art (University of the Witwatersrand, South Africa) where she specialised in museum education, decolonial praxis, exhibition curation and community cohesion through archival engagement. Her MA research included the development of a bespoke interactive walking tour app that fused archival materials, oral histories and creative response to surface under-known heritage and promote community pride.
Caroline brings experience in engaging intergenerational communities, building trusted stakeholder relationships and managing complex projects (with former roles at St. Paul’s Cathedral and Condé Nast). For Anti-Apartheid Legacy, Caroline is responsible for the shaping and delivery of the Anti-Apartheid Legacy: Centre of Memory and Learning. This includes partnerships, programming, heritage management, audience development and community engagement, strategy, policy development, fundraising, marketing, education and outreach.
Colin Charles is a London-based Creative Director and Film Producer with a long-standing practice across film, arts, culture and community engagement. His most recent producing role was as part of the production team for Comrade Tambo’s London Recruits, directed by Gordon Main — a feature-length documentary exploring the stories of young activists recruited by the ANC to undertake covert missions in apartheid South Africa.
Colin’s career spans publishing, film, live culture and international communications, with experience working across the UK and West Africa on creative projects, social messaging and public engagement initiatives. His work has consistently centred African and diasporic histories, cultural expression and social justice, bringing together creative practice with audience insight and ethical engagement.
A member of the Anti-Apartheid Legacy Centre’s Advisory group, Colin supports the shaping and delivery of community engagement and educational participation, drawing on his experience in storytelling, communications and inclusive cultural practice. He is also a trained Mental Health First Aider and works as a support worker for young people in care.
Professor Wessie Ling, PhD. is Professor of Transcultural Arts and Design at the School of Art, Architecture and Design, London Metropolitan University, and Director of CREATURE (Centre for Creative Arts, Cultures and Engagement). Her research focuses on cultural production, the political economy of fashion, and the intersections between art, design and global histories.
She is Visiting Professor of the University of Bologna (2026), and has held academic posts at Northumbria University, where she was Co-Director of the AHRC Doctoral Training Centre, and at University of the Arts London, alongside international research fellowships including ASEAN Research Fellow at Mahidol University and Rita Bolland Research Fellow at the Research Centre for Material Culture (the Netherlands). Professor Ling advises the National Museum of World Cultures on acquisitions, with artefacts exhibited at Wereldmuseum Amsterdam and Wereldmuseum Rotterdam.
She co-leads, with Caroline Kamana, Anti-Apartheid Mural Project, supported by the National Lottery Heritage Fund and London Metropolitan University's Transformation Fund.
Ham (HAM the Illustrator) is a London-based Creative Director, illustrator and community arts facilitator with over a decade of experience in visual storytelling, public engagement and participatory mural design. Raised in Namibia and South Africa, his practice is deeply shaped by the anti-apartheid movement and rooted in historical research, community-led processes and collaborative authorship.
Ham is Creative Director and Curatorial Research Fellow for the Anti-Apartheid Legacy Centre mural project, overseeing the co-creation and design of a new large-scale mural for the Centre’s garden. The project is delivered in collaboration with CREATURE, supported by London Metropolitan University and the National Lottery Heritage Fund.
Alongside his independent practice, HAM has collaborated with organisations including Lambeth Council, SOAS University, the Royal Opera House and the British Council, delivering workshops, murals and public storytelling projects that amplify under-represented histories. As co-founder of MarkMakerz LDN, he has led large-scale community murals, using public art as a tool for education, dialogue and activism.
Hoyee is the Research Assistant for the Anti-Apartheid Legacy Mural Project (a partnership project with London Metropolitan University's Centre for Creative Arts, Cultures and Engagement), focusing on analysing the process and outcomes of the project based on the rationale of design activism and community-engaged art practice. Hoyee also supports the delivery of the project's educational and creative response workshops.
She is a doctoral candidate at London Metropolitan University. Her doctoral research examines the production of visual culture of modern protest within Hong Kong's social movements.
Lucia is a Visual Artist and Creative Media Assistant with specialisms in graphic design and photography. She is currently supporting the Anti-Apartheid Legacy Centre’s mural project, contributing creative media and design development as part of the wider collaborative team.
Alongside this work, Lucia has produced graphic design assets for the Centre and represented both the Anti-Apartheid Legacy Centre and London Metropolitan University in South Africa at the Desmond and Leah Tutu Legacy Foundation, as part of their collaborative 'Strength in Unity' exhibition. Her practice combines visual storytelling with socially engaged themes, bringing a thoughtful and contemporary perspective to heritage and public-facing projects.
Alinta Sara is an independent curator, art historian, and workshop producer. She was born in Reunion Island, grew up in Martinique and is now based in London. She is the co-founder of Bokantaj, a collaborative initiative that aims to raise greater awareness about the historical trajectories and universal themes that connect communities in the global South. Her current research is on the Afro Brazilian architectural heritage in the Bight of Benin and reflects on the link between collect memory, space, and architecture.
Alinta Sara is working as a lecturer at the CLCC at Imperial College as well as a freelance workshop producer with various organizations and galleries in London such as the October Gallery, Lon-Art, the Africa Centre. She managed the Sickle Cell Society heritage project “Our Journey, our story,” which looked at the history of sickle-cell disease in the UK. She co-curated the exhibition Divinations of Worlds to Come at the Agency Gallery as well as the exhibitions The Colour of Pain at Imperial College, Our Journey, Our Story at the Black Cultural Archives. As Heritage and Community Engagement Manager at TLTU she will bring her experience working on oral history projects as well as a curator to the wider project.
Alinta Sara is working as a lecturer at the CLCC at Imperial College as well as a freelance workshop producer with various organizations and galleries in London such as the October Gallery, Lon-Art, the Africa Centre. She managed the Sickle Cell Society heritage project “Our Journey, our story,” which looked at the history of sickle-cell disease in the UK. She co-curated the exhibition Divinations of Worlds to Come at the Agency Gallery as well as the exhibitions The Colour of Pain at Imperial College, Our Journey, Our Story at the Black Cultural Archives. As Heritage and Community Engagement Manager at TLTU she will bring her experience working on oral history projects as well as a curator to the wider project.
Rachel Ishmael is an experienced project manager with a focus on Black history and communities, gender and sexuality. She has many years’ experience in facilitating community projects and leading campaigns as well as working with a range of stakeholders and designing community-led deliverables.
Rachel is also a filmmaker, photographer and has a keen interest in culturally inspired fashion.
She has an MA in Culture, Diaspora and Ethnicity from Birkbeck, London and is currently the Programmes Lead at The Liliesleaf Trust UK.
Rachel is also a filmmaker, photographer and has a keen interest in culturally inspired fashion.
She has an MA in Culture, Diaspora and Ethnicity from Birkbeck, London and is currently the Programmes Lead at The Liliesleaf Trust UK.
Born in Johannesburg, Thapelo Moloantoa was socialised into politics by the reality of life in Apartheid South Africa as a young boy.
His family members were involved, to varying degrees in the liberation struggle, an aspect that had great influence on his orientation towards making a commitment to social justice and liberation. Jane Tseleng, his maternal grandmother was part of the 1956 Women’s March on the Union Buildings in Pretoria. His parents, David and Cecilia, contributed to the resistance movement via various ways; hiding activists in their home, moving banned material across borders and challenging the disparities of racially-separate health services (his mother was later the Health Consultant for the Vatican in Africa).
Thapelo experienced first-hand the realities of the brutality of apartheid through the constant disruption to schooling, protests and the harsh reaction of the Security Police to these demonstrations. At high school he was elected as chairman of the Phuthing Current Affairs Society, providing a relative haven for exploring the socio-economic and political reality of the time.
His Bachelor of Social Sciences (University of Cape Town) majored Politics, Industrial Sociology and International Relations. Thapelo is passionate about Digital Media and Communications, and looks forward to adding value to TLTU on this front.
Nadia Joseph has been involved in South African politics personally and professionally. Daughter of veterans of the liberation struggle, Nadia worked for the Anti-Apartheid Movement in London and remains an active social justice campaigner.
Nadia is an experienced oral historian. She first worked as an interviewer on Tufnell Park Tales, supporting a community exhibition of transcripts with accompanying photographs. As part of our work, Nadia is conducting interviews with South African struggle elders. This has included her mother, Adelaide Joseph, former member of the Transvaal Indian Congress and the Federation of South African Women; the transcript is published in collection entitled My Mother’s Story (Oral History Association of South Africa, 2021). She worked on the publication of her father’s memoir Slumboy From The Golden City (2018) and authored a chapter in a soon to be published anthology reflecting on the legacy of Mandela (Bloomsbury, expected 2024).
Nadia also works part-time at New Beacon Books and is co-founder of an educational outreach initiative, Education Through Culture.
Nadia’s role at Anti-Apartheid Legacy is to deliver research and engagement in the heritage of the movement against apartheid, leading heritage participation across a range of audiences. 28 Penton Street is a site is of significance to Nadia as it was at the heart of the UK’s exiled liberation movement, in which her parents played key roles.
Nadia is an experienced oral historian. She first worked as an interviewer on Tufnell Park Tales, supporting a community exhibition of transcripts with accompanying photographs. As part of our work, Nadia is conducting interviews with South African struggle elders. This has included her mother, Adelaide Joseph, former member of the Transvaal Indian Congress and the Federation of South African Women; the transcript is published in collection entitled My Mother’s Story (Oral History Association of South Africa, 2021). She worked on the publication of her father’s memoir Slumboy From The Golden City (2018) and authored a chapter in a soon to be published anthology reflecting on the legacy of Mandela (Bloomsbury, expected 2024).
Nadia also works part-time at New Beacon Books and is co-founder of an educational outreach initiative, Education Through Culture.
Nadia’s role at Anti-Apartheid Legacy is to deliver research and engagement in the heritage of the movement against apartheid, leading heritage participation across a range of audiences. 28 Penton Street is a site is of significance to Nadia as it was at the heart of the UK’s exiled liberation movement, in which her parents played key roles.
Nadia Joseph has been involved in South African politics personally and professionally. Daughter of veterans of the liberation struggle, Nadia worked for the Anti-Apartheid Movement in London and remains an active social justice campaigner.
Nadia is an experienced oral historian. She first worked as an interviewer on Tufnell Park Tales, supporting a community exhibition of transcripts with accompanying photographs. As part of our work, Nadia is conducting interviews with South African struggle elders. This has included her mother, Adelaide Joseph, former member of the Transvaal Indian Congress and the Federation of South African Women; the transcript is published in collection entitled My Mother’s Story (Oral History Association of South Africa, 2021). She worked on the publication of her father’s memoir Slumboy From The Golden City (2018) and authored a chapter in a soon to be published anthology reflecting on the legacy of Mandela (Bloomsbury, expected 2024).
Nadia also works part-time at New Beacon Books and is co-founder of an educational outreach initiative, Education Through Culture.
Nadia’s role at Anti-Apartheid Legacy is to deliver research and engagement in the heritage of the movement against apartheid, leading heritage participation across a range of audiences. 28 Penton Street is a site is of significance to Nadia as it was at the heart of the UK’s exiled liberation movement, in which her parents played key roles.
Nadia is an experienced oral historian. She first worked as an interviewer on Tufnell Park Tales, supporting a community exhibition of transcripts with accompanying photographs. As part of our work, Nadia is conducting interviews with South African struggle elders. This has included her mother, Adelaide Joseph, former member of the Transvaal Indian Congress and the Federation of South African Women; the transcript is published in collection entitled My Mother’s Story (Oral History Association of South Africa, 2021). She worked on the publication of her father’s memoir Slumboy From The Golden City (2018) and authored a chapter in a soon to be published anthology reflecting on the legacy of Mandela (Bloomsbury, expected 2024).
Nadia also works part-time at New Beacon Books and is co-founder of an educational outreach initiative, Education Through Culture.
Nadia’s role at Anti-Apartheid Legacy is to deliver research and engagement in the heritage of the movement against apartheid, leading heritage participation across a range of audiences. 28 Penton Street is a site is of significance to Nadia as it was at the heart of the UK’s exiled liberation movement, in which her parents played key roles.
